Well, this was at least true in Killdeer’s case. For an eight-year-old to recognize such prevalent talent, it can perhaps prove to be an indicator of their future musical endeavors. After all, I have some friends my age who STILL are not mature enough to even respect Waits as a songwriter. As a college student, such a fact was quite alarming to me. Phoebe Killdeer and the Short Straws – Weather’s ComingĪt one time in her life, Phoebe Killdeer was an eight-year-old who admired few people more than her musical hero, Tom Waits. This track, in addition to irresistibly luxurious efforts like “The Next Time Around”, makes Little Joy a sure winner.Ĥ8. Additionally, even though Amarante is the lead vocalist throughout the majority of the album, Moretti’s girlfriend, Binki Shaprio, shines brightly with her backing vocals and on “Unattainable”, an unrequited love ballad that blends gentle acoustical melodies and hushed vocal harmonies. Though Little Joy was released a month or two after the warm days of summer, it is inarguably a perfect album for the season. Beautifully interweaved backing vocal harmonies, subdued rhythm sections, and the gentle twang of acoustic and electric guitars are a few of the components at work throughout the album, as is the powerful usage of Amarante’s breezy vocals. Little Joy is ultimately the product of a compelling stylistic focus, resulting in carefree and extremely accessible effort that allows simplicity to flourish in the most complementary way possible. Never mind the fact that lead vocalist Rodrigo Amarante can sound eerily like Julian Casablancas on tracks like the tropical “No One’s Better Sake” and the rockabilly-tinged “How to Hang a Warhol”. These initial thoughts may have ran through Fabrizio Moretti’s head when he first formed Little Joy, but after the widespread acclaim of their self-titled debut album, the association appears nearly obsolete. When you are a member like an internationally renowned band like The Strokes, it can be difficult when attempting to separate yourself from your past projects in order to form a new one. ![]() Hot Chip – We’re Looking for a Lot of Love It simply proves that Hot Chip are beginning to think outside of the box and, in doing so, are succeeding dramatically. The budding catchiness of “Ready for the Floor” may very well be the best song of their short career so far, while even the more emotionally demanding pieces like the seductive “We’re Looking for a Lot of Love” and the swanky “Don’t Dance” prove wildly successful, providing a fair amount of diversity to an album whose genre usually does not demand it. That being said, it was hardly a surprise when their follow-up, Made in the Dark, proved just as successful and arguably even more so when considering how remarkably consistent the album’s quality is. The songs were bouncier, more energetic, and – most importantly – more fun. It somehow found the perfect divide between creativity and accessibility, proving more accessible than Coming on Strong while also suggesting that the group was steadily evolving into something that could be easily separated from the hordes of generic synth-pop acts. ![]() ![]() They answered the criticism resoundingly with their second album, The Warning, a year later and have not looked back. Their 2005 full-length debut, Coming on Strong, showed signs of potential here and there with a few stellar hooks, but many found the London-based group to be lacking in three things that are often vital in electronic pop: energy, wit, and consistent infectiousness. Before they earned a Grammy nod or topped the UK singles charts, Hot Chip had a considerable amount of doubt surrounding them.
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